Personal Information
| Name: Abimbola A. Stephen-Adesina | |
![]() | Designation: Ag. Head of Department |
| Academic Qualification: B.A., M.A., Ph.D. | |
| Faculty: Arts | |
| Department: Theatre Arts | |
| Phone number: +2348037132080 +2348025190837 | |
Google Scholar Profile: https://scholar.google.com/citations?user=tSb0GxIAAAAJ&hl=en Research Gate Profile: ORCID Profile: https://orcid.org/0000-0002-8007-4987 | |
Email: aa.benson@ui.edu.ng Email Address 2: detolabenson@gmail.com | |
| Area of Specialisation: Voice, Speech, Undergraduate actors lifestyle and behavioral changes. | |
| Research Interests: Vocal health, Mental Health of Performing Artists, Vocal Training and Applied Theatre. |
Curriculum Vitae
POSITION: READER
I (a) Name Abimbola Adetola Stephen-Adesina (Nee Benson)
(b) Date of Birth 21 August, 1977
(c) Department: Theatre Arts
(d) Faculty Arts
II (a) First Academic Appointment Arts Fellow II (28 August, 2012)
(b) Present Post (with date) Senior Arts Fellow I (1 October, 2021)
(c) Date of last Promotion 1 October 2021
(d) Date Last Considered (in cases Nil
wherepromotion was not through)
III University Education (with dates)
(a) University of Ibadan, Ibadan 1999-2001
(b) University of Ibadan, Ibadan 2003-2006
(c) University of Ibadan, Ibadan 2007-2010
(d) University of Ibadan, Ibadan 2012-2021
IV Academic Qualifications (with dates and granting bodies)
(a) Diploma (Theatre Arts) University of Ibadan 2001
(b) B. A. (Theatre Arts) University of Ibadan 2006
(c) M.A (Theatre Arts) University of Ibadan 2010
(d) Ph.D. (Theatre Arts) University of Ibadan 2021
V Professional Qualifications and Diplomas (with dates)
Lessac Kinesensic Voice and Body Training Practitioner 2019
Knight-Thompson Speechwork (Completed
Pre-requisites for Teacher Certification) 2014
VI Scholarships, Fellowships and Prizes (with dates) in Respect of Undergraduate and Postgraduate work only):
Nil
VII Honours, Distinctions and Membership of Learned Societies
(a) VASTA Clyde Vinson Memorial Scholarship 2013
(b) 1st Knight-Thompson International Teacher Scholarship 2014
(c) Association of Commonwealth Universities Grant 2015
(d) The Lessac Training Research Institute Scholarship 2015
(e) TETFUND Conference Grant Support 2017
(f) Society of Nigerian Theatre Artists (SONTA) 2024
(g) National Association of Nigerian Theatre Arts Practitioners (NANTAP)
(h) Voice And Speech Trainers Association (VASTA)
(i) The Lessac Training Research Institute (LTRI)
VIII. Details of Teaching/Working Experience
(a) Part-Time Teacher, English Language, Humani Alaga Secondary School, Sango, Ibadan. November, 2007-2008
(b) Part-Time Elocution and Drama Instructor, Graceville College Bodija, Ibadan, October, 2010-December, 2010
(c) Part-Time Lecturer, DLC. Department of Theatre Arts, University of Ibadan. August, 2008-December, 2015
Details of Practical Experiences (in the last 5 years)
Farewell to A Cannibal Rage (Accent and Dialogue Coach)
University of Ibadan Convocation Play 2023
Canticles for a Pyre Foretold (Accent and Dialogue Coach)
University of Ibadan Convocation Play 2024
Courses Taught:
THA 107: Introduction to Voice, Speech, and Accent for Stage and Screen Performances
THA 306: Research Methods and Documentation
THA 315: Speech & Rhetorical Arts: Conceptual Study
THA 325: Speech & Rhetorical Arts: Practical Study
THA 405: Drama and Theatre: Theoretical Approaches
THA 415: Speech & Rhetorical Art: Specialised Study
THA 425: Speech & Rhetorical Art: Intensive Study
THA 450: Long Essay Projects
THA 716: Speech and Oral Interpretation
THA 758: Bibliography and Research Methods
THA 764: The Theatre Artist and His Works
THA 776: Advanced Studies in Oral Interpretation
THA 777: Advanced Studies in Speech Studies
THA 778: Practice of The Theatre
THA 780: Special Projects in Theatre Arts
THA 782: Theatre for Development: Theory and Praxis
Long-Essay/Project Supervision
Completed: 108
Community Service on the University Community and / or the Larger Society
Assistant Hall Warden: Obafemi Awolowo Hall 01 July, 2021 – 31 July, 2024
Staff Adviser: Association of Faculty of Arts Students 01 July, 2021 – To Present
Staff Adviser: National Union of Lagos State Students 2017/2018 – 2020/2022
Faculty of Arts Representative II to University Teacher
Cooperative 01 July, 2024 – To Present
University of Ibadan Ceremonials Committee Member 01 August 2024 – To Present
Administrative Duties
Departmental Representative on Faculty Welfare Committee 2013/2014 – 2022/2023
Examinations Officer (DLC/Diploma I) 2013/2014 – 2017/2018
Examinations Officer (UG): (100&200 Levels) 2013/2014 – 2020/2021
Staff Advisor: 400 Level 2014/2015
Staff Advisor: 100Level 2016/2017 – 2021/2022
Faculty Representative on Computer Committee 2014/2015
Staff Adviser: Association of Theatre Arts Students 2018/2019
Assistant Postgraduate Coordinator 2017/2018 – 2021/2022
Staff Adviser: 300Level 2021/2022
Wole Soyinka Theatre Assistant Business Manager 2018-2024
Postgraduate Coordinator 2021/2022-2023/2024
Acting Head of Department 01 July 2024 – 31 July, 2026
IX Research
(a) Completed
Examining Changes in Physical Health Symptoms and Mental Wellness among Undergraduate Theatre Artists Engaged in Initiation Rehearsals: A Preliminary Study
This study investigated perceived physical and mental health changes in freshmen theatre artists after a four-week initiation rehearsal process. The design used was a longitudinal study. Fifty-five freshmen theatre artists at the University of Ibadan, Nigeria, participated in the study (25 male and 30 female) using a semi-structured questionnaire made up of questions probing perceived physical and mental health symptoms. The questionnaire was analysed for frequency of physical health and perception of mental health frequency across four weeks. The study reported perceived physical and mental health symptoms and wellness at Week 1 and Week 4 of training to measure the significance and impact of the training on the overall wellbeing of theatre artists for both male and female respondents. There was significant improvement over the four-week training period, with the mean perceived health scores decreasing from 34.00 (SD = 5.93) at Week 1 to 31.78 (SD = 8.89) at Week 4. Reductions were also recorded in the common musculoskeletal complaints, with back pain reducing from 20 to 14 affected students (30% reduction), joint pain declining from 26 to 21 students, and headaches decreasing from 21 to 18 students. The most prevalent initial symptoms, fatigue and sleep decreased in the students.
Microscopic Examination of the Larynx (Voice Box) of Swiss Mice Exposed to Cannabis Sativa Leaf Extract
Cannabis sativa (Cannabaceae) is a plant grown for centuries in various locations due to its psychoactive and intoxicating qualities. However, despite the pharmacological potential and economic prospects, there is a dearth of information on the toxicity profile of Nigerian Cannabis and also, cannabis-administered animal models are rarely reported. Therefore, this research examined the microscopic details of the voice box (larynx) of n-hexane fraction of Cannabis sativa leaves (nHCS) in mice. Dried leaves (2000 g) were extracted with methanol using sohxlet apparatus then partitioned into n-hexane fraction (nHCS). Forty adult female mice (20-25g) were divided into four groups (n=10); Group 1 control (Vehicle (olive oil)-treated group, 10 μL/kg), and groups II-IV received nHCS (200, 400 and 800 mg/kg), orally for 28 days. The animals were then euthanised and sacrificed by cervical dislocation. The larynx was dissected out and preserved in 10% formalin for histological assessment.
The result showed normal histological architecture of the vocal fold epithelium in the control mice compared with epithelial microtrauma, ulceration, denudation and degeneration in the treated groups.
Cannabis sativa administration altered the configuration of the stratified squamous epithelial lining of the mice's vocal fold.
(b) In progress
Knowledge of Common Vocal Injuries and Treatments among Undergraduate Theatre Artists in Selected Universities in Nigeria
The aim of this study is to validate performing artists’ knowledge, attitude and perception of vocal health knowledge from the world of arts and science. Studies on vocal health, disorders, and training for performing artists continue to exist around the world, with little attention paid to theatre artists in Nigeria. The present study explores a preliminary study on the vocal health, disorders and training among undergraduate theatre/performing/creative/dramatic artists within Nigerian universities. The final result would indicate the documentation of common treatments theatre artists engage with and how this can be a model for other performing artists at amateur and professional levels. The research commenced in February 2023 and has different levels reports to be published and it is expected to be concluded by July 2028.
Undergraduate Performing Artists Subjective Wellbeing
The aim of this study is to analyse how undergraduate performing artists define their own perceptions of wellbeing and the factors influencing it at the various academic levels. The study will at the initial investigate a federal university and then compare the findings with a private university. The subjective wellbeing (SWB) which will be measured with a modified and adapted psychometric scale. The responses of the participating artists would be explored by a means of content analysis. Undergraduate performing artists from the being first-year students are daily, weekly, and monthly overwhelmed to performance demands that takes a toll of their wellbeing. The results of this research would contribute to both socio-economic policy designed, adopted for every university offering theatre/performing/dramatic/creative arts and appraised as they would provide an in-depth understanding of how SWB works at these disciplines.
(c) Project, Dissertation and Thesis
Combating Hepatitis B Virus through Theatre for Development. M. A. Dissertation, Department of Theatre Arts, University of Ibadan (2009)
Effects of Lessac Kinesensics Training on Vocal Expression and Intelligibility among Undergraduate Actors in Southwestern Nigeria Ph.D. Thesis, Department (2021)
X Publications
(a) Books already published Nil
(b) Chapters in Books already published
1. Stephen-Adesina, A. A. and Olayemi, O. (2019). Standardised Patients: A Means to Improving Health Education among Female Student-Actors in Nigeria. In Omotosho, S. A and Oladejo, M.T. (Eds.) What Should Women Want? Before and Beyond... Selected Essays to Commemorate WORDOC’S 30th Anniversary. Ibadan: Royalbird Ventures. 125-138pp. ISBN 978-978-51246-0-5 (Nigeria) (Contribution: 80%).
(c) Articles that have already appeared in Refereed Conference Proceedings
2. Benson, A. A. (2014). Knowledge and Attitudinal Influence of Hepatitis B Virus (HBV) Through Theatre for Development (TfD): Book of Proceedings for the 9th Unilag Annual Research Conference and Fair in Health, Infrastructure & Development: Vol. 1. 10-14 October, 2014 Lagos: 58-66pp. (Nigeria) (Contribution: 100%)
Patents Nil
(e) Articles that have already appeared in learned journals
3. Benson, A. A. (2010): Effective Speech Training for the Theatre Student-Actor Ibadan Journal of Theatre Arts, Nos. 5: 155-173 (Nigeria) (Contribution: 100%)
4. Stephen-Adesina, A. A. (2017). Lessac Kinesensics Training: A Pedagogy for Training the Nigerian Student-Actor’s Speaking Voice. Ibadan Journal Of Theatre Arts, Nos. 11 and 12, 62-86 (Nigeria) (Contribution: 100%)
5. Benson, A. A. and Otegbayo, J. A. (2017). Role of Theatre for Development in Disseminating Information on HBV Infection in a Nigerian Community. Nigerian Journal of Gastroenterology and Hepatology, Vol. 9, No. 2: 35-44 (Nigeria) (Contribution: 80%)
6. Stephen-Adesina, A. A. (2019). Answer the Question: Voice Trainings Transplanted, Recycled and Repurposed in the Nigerian Context. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2019.1667180. Vol.10, No.3: 305-306 (United Kingdom) (Contribution: 100%)
7. Stephen-Adesina, A. A. (2020). The Female Voice in Selected Tunde Kelani’s Movies. Ibadan Journal of Gender Studies. Nos. 3 and 4, 129-149 (Nigeria) (Contribution: 100%)
8. Stephen-Adesina, A. A. (2021). An Evaluation of Lessac Kinesensics Training among Undergraduate Actors. Mukabala:Journal of Performing Arts and Culture Vol.5 (1), 64-77. (Nigeria) (Contribution: 100%)
9. Stephen-Adesina, A. A. (2021). Vocal Pedagogies in Communication Development of Actor Training: An Acoustic and Perceptual Empirical Review. Journal of Communication and Language Arts (JCLA). Vol.12 (1), 55-72. (Nigeria) (Contribution: 100%)
10. Stephen-Adesina, A. A. (2022). On The Effect of Honey, Bitter Kola, Ginger and Alligator Pepper for Voice Care: A Case Study on the Perception of Undergraduate Actors. Voice and Speech Review. Doi:10.1080/23268263.2021.1959012. Vol.16, (1), 22-32 (United States of America) (Contribution: 100%)
*11. Stephen-Adesina A. A. (2023). The Representation of Health Conditions in Selected Plays of Two Nigerian Dramatists. Nigeria and the Classics: Ibadan Journal of the Classics and Multidisciplinary Studies. Vol.35. 77-97. (Nigeria) (Contribution: 100%)
*12. Stephen-Adesina, A. A. (2024). Portrayal of Selected African Dialects and Accents in The Woman King. Creative Saplings Vol.3, No. 10, 72-88. (United States of America) (100%)
*13. Stephen-Adesina, A. A. (2024). Lessac Kinesensic Training as an Embodied Learning Model in Undergraduate Actor Training: The Nigerian Example. International Journal of Current Research in the Humanities (IJCRH), No. 28(1), 302-315. University of Cape Coast, (Ghana) (100%)
*14. Stephen-Adesina, A. A. and Lateef Sulaiman (2024). Potentials of Drama Therapy for Healing Childhood Trauma in Delinquents in Ibadan. The Creative Artist: A Journal of Theatre and Media Studies. Vol. 18, No. 2, 77-97. (Nigeria) (Contribution: 80%)
*15. Stephen-Adesina, A. A. (2024). An Attitudinal Survey of the Use of Herbal Remedies for Vocal Health by Undergraduate Performing Artists. The Crab: Journal of Theatre and Media Arts, No. 19(1). 199-218. (Nigeria) (Contribution: 100%)
*16. Stephen-Adesina, A. A. and Lateef Sulaiman (2025). Drama Therapy for Rehabilitation in Correctional Facility in Nigeria. Elegbakna: Journal of Theatre and Film Studies. Vol. 2, No.1, 26-39. (Nigeria) (Contribution: 60%)
*17. Stephen-Adesina, A. A., Okah, L.S. and Ojakovo, O.S. (2025) Tiger Nut and Vocal Folds Healing Education: Epithelization and Histological Investigations. Advanced Research sin Medical and Health Sciences, 3(1), 12-19. (South Africa) (Contribution: 70%)
*18. Sulaiman, L. Stephen-Adesina, A. A. (2025). Effiom, D. D., Babatunde, P. B., Ogunmola, E., and Adeniyi, O. Exploring Theatre for Development for Behavioural Change with Beyond Parental Control Minors at the Juvenile Correctional Facility, Ibadan, Nigeria. Humanus Discourse Vol. 5. No. 4. 1-13 (Nigeria) (Contribution: 50%)
*19 Stephen-Adesina, A. A. (2025). A Perspective on Voice and Speech Training in Nigerian Universities. International Journal of Current Research in the Humanities (IJCRH), No. 29(1). 107-117. University of Cape Coast, (Ghana) (Contribution: 100%)
(f) Books, Chapters in Books and Articles already accepted for publication
*20. Stephen-Adesina, A. A. (2023). Attitudes of Onstage Speech, Accent and Mother-Tongue Interference. Journal of Communication and Language Arts (JCLA) Vol 14 No 2, June 2023. (Nigeria) (Contribution: 100%)
*21. Stephen-Adesina, A. A. (2024). Psychological and Emotional Well-being of Undergraduate Theatre Artists in a Nigerian University. Ibadan Journal Of Theatre Arts, (IJOTA) Issue 16, July 2024 (Nigeria) (Contribution: 100%)
(g) Technical Reports and Monographs Nil
XII Major Conferences and Workshops Attended in the Last Five Years (with Papers Read)
1. Abimbola A. Stephen-Adesina Voice and Speech Trainers Association Virtual Annual Conference: Rising Voices: Listening to the Past, Dismantling the Present, Cultivating a New Future. July 30th – 1st August 2021 New Mexico, USA.
Paper Read: Voicing the Future on the Nigerian Stage and Beyond: Challenges and Prospects.
2. Abimbola A. Stephen-Adesina ATHE-VASTA Debut Panel – Association of Theatre in Higher Education Virtual Annual Conference: August 5 – 8, 2021.
Paper Read: On the Effect of Honey, Bitter Kola, Ginger and Alligator Pepper for Voice Care: A Case Study on the Perception of Undergraduate Actors.
3. Abimbola A. Stephen-Adesina 11th Ankara International Congress on Scientific Research: 10 – 12, January 2025. Ankara, Türkiye.
Paper Read: How Scientific and Accurate Can Creativity Attain? The Representation and Misrepresentation of Health Issues in Selected Nigerian Plays.
4. Abimbola A. Stephen-Adesina Faculty of Arts, University of Ibadan: 2025 Biennial Conference: The New Humanities and Humanistic Development. 22 – 25, July 2025
Paper Read: Rehearsals, Vocal, Mental and Physical Education: A Longitudinal Assessment of Outcomes among First-Year Theatre Artists
XII Fifteen Best Publications that Reflect the Totality of my Contributions to Scholarship
- Benson, A. A. (2010): Effective Speech Training for the Theatre Student-Actor Ibadan Journal of Theatre Arts, Nos. 5: 155-173 (Nigeria).
- Benson, A. A. and Otegbayo, J. A. (2017). Role of Theatre for Development in Disseminating Information on HBV Infection in a Nigerian Community. Nigerian Journal of Gastroenterology and Hepatology, Vol. 9, No. 2: 35-44 (Nigeria).
- Stephen-Adesina, A. A. (2017). Lessac Kinesensics Training: A Pedagogy for Training the Nigerian Student-Actor’s Speaking Voice. Ibadan Journal Of Theatre Arts, Nos. 11 and 12, 62-86 (Nigeria).
- Stephen-Adesina, A. A. and Olayemi, O. (2019). Standardised Patients: A Means to Improving Health Education among Female Student-Actors in Nigeria. In Omotosho, S. A and Oladejo, M.T.(Eds.) What Should Women Want? Before and Beyond... Selected Essays to Commemorate WORDOC’S 30th Anniversary. Ibadan: Royalbird Ventures. 125-138pp. ISBN 978-978-51246-0-5 (Nigeria).
- Stephen-Adesina, A. A. (2019). Answer the Question: Voice Trainings Transplanted, Recycled and Repurposed in the Nigerian Context. Theatre, Dance and Performance Training.https://doi.org/10.1080/19443927.2019.1667180. Vol.10, No.3: 305-306 (United Kingdom).
- Stephen-Adesina, A. A. (2020). The Female Voice in Selected Tunde Kelani’s Movies. Ibadan Journal of Gender Studies. Nos. 3 and 4, 129-149 (Nigeria).
- Stephen-Adesina, A. A. (2021). Vocal Pedagogies in Communication Development of Actor Training: An Acoustic and Perceptual Empirical Review. Journal of Communication and Language Arts (JCLA) Vol 12 (1), 55-72. (Nigeria).
- Stephen-Adesina, A. A. (2022). On The Effect of Honey, Bitter Kola, Ginger and Alligator Pepper for Voice Care: A Case Study on the Perception of Undergraduate Actors. Voice and Speech Review. Doi:10.1080/23268263.2021.1959012. Vol. 16(1) 22-32 (United States of America).
- Stephen-Adesina A. A. (2023). The Representation of Health Conditions in Selected Plays of Two Nigerian Dramatists. Nigeria and the Classics: Ibadan Journal of the Classics and Multidisciplinary Studies. Vol.35. 80-101. (Nigeria).
- Stephen-Adesina, A. A. (2024). Portrayal of Selected African Dialects and Accents in The Woman King. Creative Saplings Vol.3, No. 10, 72-88. (United States of America).
- Stephen-Adesina, A. A. (2024). Lessac Kinesensic Training as an Embodied Learning Model in Undergraduate Actor Training: The Nigerian Example. International Journal of Current Research in the Humanities (IJCRH), No. 28(1), 302-315. University of Cape Coast, (Ghana).
- Stephen-Adesina, A. A. and Lateef Sulaiman (2024). Potentials of Drama Therapy for Healing Childhood Trauma in Delinquents in Ibadan. The Creative Artist: A Journal of Theatre and Media Studies. Vol. 18, No. 2, 77-97. (Nigeria).
- Stephen-Adesina, A. A. (2024). An Attitudinal Survey of the Use of Herbal Remedies for Vocal Health by Undergraduate Performing Artists. The Crab: Journal of Theatre and Media Arts, No. 19(1). 199-218. (Nigeria).
- Stephen-Adesina, A. A. and Lateef Sulaiman (2025). Drama Therapy for Rehabilitation in Correctional Facility in Nigeria. Elegbakna: Journal of Theatre and Film Studies. Vol. 2, No.1, 26-39. (Nigeria).
- Stephen-Adesina, A. A., Okah, L.S. and Ojakovo, O.S. (2025) Tiger Nut and Vocal Folds Healing Education: Epithelization and Histological Investigations. Advanced Research sin Medical and Health Sciences, 3(1), 12-19. (South Africa).
Publications
(a) Books already published Nil
(b) Chapters in Books already published
1. Stephen-Adesina, A. A. and Olayemi, O. (2019). Standardised Patients: A Means to Improving Health Education among Female Student-Actors in Nigeria. In Omotosho, S. A and Oladejo, M.T. (Eds.) What Should Women Want? Before and Beyond... Selected Essays to Commemorate WORDOC’S 30th Anniversary. Ibadan: Royalbird Ventures. 125-138pp. ISBN 978-978-51246-0-5 (Nigeria) (Contribution: 80%).
(c) Articles that have already appeared in Refereed Conference Proceedings
2. Benson, A. A. (2014). Knowledge and Attitudinal Influence of Hepatitis B Virus (HBV) Through Theatre for Development (TfD): Book of Proceedings for the 9th Unilag Annual Research Conference and Fair in Health, Infrastructure & Development: Vol. 1. 10-14 October, 2014 Lagos: 58-66pp. (Nigeria) (Contribution: 100%)
Patents Nil
(e) Articles that have already appeared in learned journals
3. Benson, A. A. (2010): Effective Speech Training for the Theatre Student-Actor Ibadan Journal of Theatre Arts, Nos. 5: 155-173 (Nigeria) (Contribution: 100%)
4. Stephen-Adesina, A. A. (2017). Lessac Kinesensics Training: A Pedagogy for Training the Nigerian Student-Actor’s Speaking Voice. Ibadan Journal Of Theatre Arts, Nos. 11 and 12, 62-86 (Nigeria) (Contribution: 100%)
5. Benson, A. A. and Otegbayo, J. A. (2017). Role of Theatre for Development in Disseminating Information on HBV Infection in a Nigerian Community. Nigerian Journal of Gastroenterology and Hepatology, Vol. 9, No. 2: 35-44 (Nigeria) (Contribution: 80%)
6. Stephen-Adesina, A. A. (2019). Answer the Question: Voice Trainings Transplanted, Recycled and Repurposed in the Nigerian Context. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2019.1667180. Vol.10, No.3: 305-306 (United Kingdom) (Contribution: 100%)
7. Stephen-Adesina, A. A. (2020). The Female Voice in Selected Tunde Kelani’s Movies. Ibadan Journal of Gender Studies. Nos. 3 and 4, 129-149 (Nigeria) (Contribution: 100%)
8. Stephen-Adesina, A. A. (2021). An Evaluation of Lessac Kinesensics Training among Undergraduate Actors. Mukabala:Journal of Performing Arts and Culture Vol.5 (1), 64-77. (Nigeria) (Contribution: 100%)
9. Stephen-Adesina, A. A. (2021). Vocal Pedagogies in Communication Development of Actor Training: An Acoustic and Perceptual Empirical Review. Journal of Communication and Language Arts (JCLA). Vol.12 (1), 55-72. (Nigeria) (Contribution: 100%)
10. Stephen-Adesina, A. A. (2022). On The Effect of Honey, Bitter Kola, Ginger and Alligator Pepper for Voice Care: A Case Study on the Perception of Undergraduate Actors. Voice and Speech Review. Doi:10.1080/23268263.2021.1959012. Vol.16, (1), 22-32 (United States of America) (Contribution: 100%)
*11. Stephen-Adesina A. A. (2023). The Representation of Health Conditions in Selected Plays of Two Nigerian Dramatists. Nigeria and the Classics: Ibadan Journal of the Classics and Multidisciplinary Studies. Vol.35. 77-97. (Nigeria) (Contribution: 100%)
*12. Stephen-Adesina, A. A. (2024). Portrayal of Selected African Dialects and Accents in The Woman King. Creative Saplings Vol.3, No. 10, 72-88. (United States of America) (100%)
*13. Stephen-Adesina, A. A. (2024). Lessac Kinesensic Training as an Embodied Learning Model in Undergraduate Actor Training: The Nigerian Example. International Journal of Current Research in the Humanities (IJCRH), No. 28(1), 302-315. University of Cape Coast, (Ghana) (100%)
*14. Stephen-Adesina, A. A. and Lateef Sulaiman (2024). Potentials of Drama Therapy for Healing Childhood Trauma in Delinquents in Ibadan. The Creative Artist: A Journal of Theatre and Media Studies. Vol. 18, No. 2, 77-97. (Nigeria) (Contribution: 80%)
*15. Stephen-Adesina, A. A. (2024). An Attitudinal Survey of the Use of Herbal Remedies for Vocal Health by Undergraduate Performing Artists. The Crab: Journal of Theatre and Media Arts, No. 19(1). 199-218. (Nigeria) (Contribution: 100%)
*16. Stephen-Adesina, A. A. and Lateef Sulaiman (2025). Drama Therapy for Rehabilitation in Correctional Facility in Nigeria. Elegbakna: Journal of Theatre and Film Studies. Vol. 2, No.1, 26-39. (Nigeria) (Contribution: 60%)
*17. Stephen-Adesina, A. A., Okah, L.S. and Ojakovo, O.S. (2025) Tiger Nut and Vocal Folds Healing Education: Epithelization and Histological Investigations. Advanced Research sin Medical and Health Sciences, 3(1), 12-19. (South Africa) (Contribution: 70%)
*18. Sulaiman, L. Stephen-Adesina, A. A. (2025). Effiom, D. D., Babatunde, P. B., Ogunmola, E., and Adeniyi, O. Exploring Theatre for Development for Behavioural Change with Beyond Parental Control Minors at the Juvenile Correctional Facility, Ibadan, Nigeria. Humanus Discourse Vol. 5. No. 4. 1-13 (Nigeria) (Contribution: 50%)
*19 Stephen-Adesina, A. A. (2025). A Perspective on Voice and Speech Training in Nigerian Universities. International Journal of Current Research in the Humanities (IJCRH), No. 29(1). 107-117. University of Cape Coast, (Ghana) (Contribution: 100%)
(f) Books, Chapters in Books and Articles already accepted for publication
*20. Stephen-Adesina, A. A. (2023). Attitudes of Onstage Speech, Accent and Mother-Tongue Interference. Journal of Communication and Language Arts (JCLA) Vol 14 No 2, June 2023. (Nigeria) (Contribution: 100%)
*21. Stephen-Adesina, A. A. (2024). Psychological and Emotional Well-being of Undergraduate Theatre Artists in a Nigerian University. Ibadan Journal Of Theatre Arts, (IJOTA) Issue 16, July 2024 (Nigeria) (Contribution: 100%)
(g) Technical Reports and Monographs Nil
XII Major Conferences and Workshops Attended in the Last Five Years (with Papers Read)
1. Abimbola A. Stephen-Adesina Voice and Speech Trainers Association Virtual Annual Conference: Rising Voices: Listening to the Past, Dismantling the Present, Cultivating a New Future. July 30th – 1st August 2021 New Mexico, USA.
Paper Read: Voicing the Future on the Nigerian Stage and Beyond: Challenges and Prospects.
2. Abimbola A. Stephen-Adesina ATHE-VASTA Debut Panel – Association of Theatre in Higher Education Virtual Annual Conference: August 5 – 8, 2021.
Paper Read: On the Effect of Honey, Bitter Kola, Ginger and Alligator Pepper for Voice Care: A Case Study on the Perception of Undergraduate Actors.
3. Abimbola A. Stephen-Adesina 11th Ankara International Congress on Scientific Research: 10 – 12, January 2025. Ankara, Türkiye.
Paper Read: How Scientific and Accurate Can Creativity Attain? The Representation and Misrepresentation of Health Issues in Selected Nigerian Plays.
4. Abimbola A. Stephen-Adesina Faculty of Arts, University of Ibadan: 2025 Biennial Conference: The New Humanities and Humanistic Development. 22 – 25, July 2025
Paper Read: Rehearsals, Vocal, Mental and Physical Education: A Longitudinal Assessment of Outcomes among First-Year Theatre Artists
Research
(a) Completed
Examining Changes in Physical Health Symptoms and Mental Wellness among Undergraduate Theatre Artists Engaged in Initiation Rehearsals: A Preliminary Study
This study investigated perceived physical and mental health changes in freshmen theatre artists after a four-week initiation rehearsal process. The design used was a longitudinal study. Fifty-five freshmen theatre artists at the University of Ibadan, Nigeria, participated in the study (25 male and 30 female) using a semi-structured questionnaire made up of questions probing perceived physical and mental health symptoms. The questionnaire was analysed for frequency of physical health and perception of mental health frequency across four weeks. The study reported perceived physical and mental health symptoms and wellness at Week 1 and Week 4 of training to measure the significance and impact of the training on the overall wellbeing of theatre artists for both male and female respondents. There was significant improvement over the four-week training period, with the mean perceived health scores decreasing from 34.00 (SD = 5.93) at Week 1 to 31.78 (SD = 8.89) at Week 4. Reductions were also recorded in the common musculoskeletal complaints, with back pain reducing from 20 to 14 affected students (30% reduction), joint pain declining from 26 to 21 students, and headaches decreasing from 21 to 18 students. The most prevalent initial symptoms, fatigue and sleep decreased in the students.
Microscopic Examination of the Larynx (Voice Box) of Swiss Mice Exposed to Cannabis Sativa Leaf Extract
Cannabis sativa (Cannabaceae) is a plant grown for centuries in various locations due to its psychoactive and intoxicating qualities. However, despite the pharmacological potential and economic prospects, there is a dearth of information on the toxicity profile of Nigerian Cannabis and also, cannabis-administered animal models are rarely reported. Therefore, this research examined the microscopic details of the voice box (larynx) of n-hexane fraction of Cannabis sativa leaves (nHCS) in mice. Dried leaves (2000 g) were extracted with methanol using sohxlet apparatus then partitioned into n-hexane fraction (nHCS). Forty adult female mice (20-25g) were divided into four groups (n=10); Group 1 control (Vehicle (olive oil)-treated group, 10 μL/kg), and groups II-IV received nHCS (200, 400 and 800 mg/kg), orally for 28 days. The animals were then euthanised and sacrificed by cervical dislocation. The larynx was dissected out and preserved in 10% formalin for histological assessment.
The result showed normal histological architecture of the vocal fold epithelium in the control mice compared with epithelial microtrauma, ulceration, denudation and degeneration in the treated groups.
Cannabis sativa administration altered the configuration of the stratified squamous epithelial lining of the mice's vocal fold.
(b) In progress
Knowledge of Common Vocal Injuries and Treatments among Undergraduate Theatre Artists in Selected Universities in Nigeria
The aim of this study is to validate performing artists’ knowledge, attitude and perception of vocal health knowledge from the world of arts and science. Studies on vocal health, disorders, and training for performing artists continue to exist around the world, with little attention paid to theatre artists in Nigeria. The present study explores a preliminary study on the vocal health, disorders and training among undergraduate theatre/performing/creative/dramatic artists within Nigerian universities. The final result would indicate the documentation of common treatments theatre artists engage with and how this can be a model for other performing artists at amateur and professional levels. The research commenced in February 2023 and has different levels reports to be published and it is expected to be concluded by July 2028.
Undergraduate Performing Artists Subjective Wellbeing
The aim of this study is to analyse how undergraduate performing artists define their own perceptions of wellbeing and the factors influencing it at the various academic levels. The study will at the initial investigate a federal university and then compare the findings with a private university. The subjective wellbeing (SWB) which will be measured with a modified and adapted psychometric scale. The responses of the participating artists would be explored by a means of content analysis. Undergraduate performing artists from the being first-year students are daily, weekly, and monthly overwhelmed to performance demands that takes a toll of their wellbeing. The results of this research would contribute to both socio-economic policy designed, adopted for every university offering theatre/performing/dramatic/creative arts and appraised as they would provide an in-depth understanding of how SWB works at these disciplines.
(c) Project, Dissertation and Thesis
Combating Hepatitis B Virus through Theatre for Development. M. A. Dissertation, Department of Theatre Arts, University of Ibadan (2009)
Effects of Lessac Kinesensics Training on Vocal Expression and Intelligibility among Undergraduate Actors in Southwestern Nigeria Ph.D. Thesis, Department (2021)
Research Focus
My research centres on the vocal, physical, emotional, and psychological health of undergraduate theatre artists and by extension, undergraduate performing artists in performance space and their wellbeing. I am also interested in the physical health and mental wellness of first-year undergraduate theatre artists during Initiation process into the Theatre Arts discipline. I also focus on the local and global herbal remedies as alternative to orthodox or visits to an otolaryngologist. I have made contributions on existing vocal pedagogies and the incorporation of best global vocal pedagogies – Lessac Kinesensics, Knight-Thompson Speechwork, Cicely Berry methods, Kristin Linklater, Louis Colaianni’s the Joy of Phonetics, to mention a few to the training of undergraduate theatre artists. I have also investigated playwrights’ representation of health issues on the Nigerian stage, through Applied Theatre. I have demonstrated through textual analysis and Theatre for Development how theatre continues to be relevant to the society by improving the lives of the community on health-related issues. My scholarship has also revealed that using the theatre disseminated information fast, improved lives in infertility as portrayed by Rotimi Babatunde’s The Secret Lives of Baba Segi’s Wives and Leprosy awareness and the need for the government to take proactive measures in Ola Rotimi’s Hopes of the Living Dead. In my Applied Theatre intervention, it was revealed that Hepatitis B Virus continues to be an epidemic but less attention is paid to it even in a university community that has a higher youth population. The study advocated for more sensitisation to improve lives through drama as a medium for disseminating information. In line with Applied Theatre, I have also worked with a team on dramatherapy to visit a juvenile correctional centre in Ibadan, Nigeria to report the anomalies with the inmates and a way to improve their mental wellness and give them hope for a better future even within the correctional centre.
My studies on the vocal, mental, emotional and physical health of performing artists is ongoing. My studies carried out so far in the last two years have indicated the need to provide therapists for undergraduate performing artists who struggle with many behaviours, well-being and exposure to substance abuse for performance and everyday situation. The central goal of this research is to collaborate across disciplines including sciences, health, social sciences, humanities and performance using performers’ modes of research in the representation of vocal health, anxiety, psychological state, as well as character portrayal build-up with substance abuse through lived experiences. One of the central issues observed so far is the impact of substance use by these performing artists on the muscles and space that shape sounds and communication. Another is the psychological and emotional implications in their world of performance.
I am also conducting research on the archiving of English-language dialects and English spoken in the accents of other Nigerian languages for performance purposes. My research has been in collaboration with The Accent Collective, a database for collecting, archiving, and analysing accents from consent donors. These accents are intended to be properly analysed and transcribed for the sole purpose of performance for artists from around the globe.
